Tuesday 10 September 2013

Workshops #2

Improv for Beginners

The journey to the unknown starts off the discovery and exploration of improvisation with Nathan's focus of play and playfulness. Throughout the workshop we get to know the players and discover the unknown together and exploring what improv is and playing with this art form. Covering topics from Keith Johnstone, Viola Spolin and some from the infamous Nathan Keates (amongst others). By the end of the workshop you should have a good understanding of the basics in art form of improvisation and can stroll through the wonders that are your journey to the unknown.
We call the process the 'journey to the unknown' because no one can tell you how to improvise and everyone has a different 'journey' or process to finding their approach that suits them.

200e (3 hour Workshop)
350e (Full day 6 hour Workshop)

Musical Improv: A Cappella

Release the sensation of the highest quality through musical improvisation. Push your skills and get out your way, as spontaneous songs burst out of you. In the workshop, we discover the roots of creating astonishment in your audience with the explosive chorus, tender verses and brilliant bridges. The exploration of a capella urges the performers to engage in the utmost co-operation and group mind. In this way, the need to play with each other is highly important. The session covers creating an opening number into the story to a grand ending using wonderful spontaneous choreography and sublime songs. No need to be a singer if you just go for gold!

220e (3 Hour Team Workshop)

Shut-Up and be Silent: make everything from the nothing

In the quiet, there is the physical. In the scene, there is the tonality. In the air, there is the everything. This everything can be read, said without words and communicated thoroughly. Bodies are subtle and radiate more than words. Even the exaggerated has its form and utility. Showing a simple gesture, motion or stillness grips and gauges. The forms this leads to are clown, soundtracking, physical theatre forms, mindful scenework and more.

200e (3 Hour Team Workshop)


Youth Improv

Young people develop a loss of creativity or adaptability, rather, as they get older. To sustain the youthful playfulness, getting those ages into improvisation will manage to keep their growth and development to a more open and accepting nature.
Here is an article I wrote about this for The Sprout, a Cardiff-based online youth magazine. Click here.

200e (3 hour Workshop)
350e (Full day 6 hour Workshop)

Processworks: beyond your limitations and edge

People have opinions that we sometimes agree with and other times do not. Processworks is a system of exploration of our views and opinions that uses applied improvisation to find our personal limitations, our edge of capability and asks us to overcome them. It is a way of discussing that breaks-down and passed culture, society and self and allows us to fully express and discover. This is the maximisation of discourse through improv that will help people engage and fully realise themselves immersively.
Here is an article I wrote about this for The Sprout, a Cardiff-based online youth magazine. Click here.

200e (3 hour Workshop)
350e (Full day 6 hour Workshop)


The Magic of Wizardy

With mind, body and our verbose antics, we form the art. World creation through Physical aesthetics and the Embodiment of new universals focus the ensemble. In these Retrospective realities, the unexplored can be scavenged. The impossibilities are mobilised. Trance-based Improv

How about KJ's trance masks - without the masks? This is based on the ritualisation of masks and the hypnotic-like capacities that people have to be free within oneself. No hypnotism will happen. We achieve an altered-state of consciousness (ASC) through intensifying the flow state that we seek in improv, anyway. It can be crazy. It can be wild. It should be explores - so, lets! For the Main classes available, see here!

1 comment:

  1. I highly recommend Nathan's workshops! He taught a full day workshop in Brussels and it was amazing, I've never seen my group perform better. He somehow pushed us beyond our limits. It was great fun, I was laughing so hard my face hurt. Looking forward to having you in Brussels again:)
    Dona

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