Showing posts with label keates. Show all posts
Showing posts with label keates. Show all posts

Friday 26 June 2020

The Camera: Film Acting and Improv (Online Class)


With improv going online, what do improvisers need to know? They are no longer creating theatre, but films. These will be a style or genre of films in themselves. Exactly what it entails is up to the creator(s). Nonetheless, learning from films to improve our improv online is valuable. In this series of classes, I begin with a focus on the camera. I shall mention other areas (some of which will have their own focused class).

Book and click!

What the audience sees has always been important in our improv, and now it is even more! I will guide participants through the various thoughts on using the camera to deliver the content desired. We discuss the current availability to achieve these goals, but we will use a lot of practical trialling. This class (and the series) will enrich your improv online through increasing your understanding of the form of media and performance. There is a wealth of useful and usable knowledge that has been integrated into the class that can deepen your expression and artistry for the effect you are looking for.

These classes can be taken as one-off lessons about the area of film acting and improv; however, attending all of them will only increase your abilities. It is recommended to take this class before others, but this is not required.

Nathan Keates (Nathan Improv) is a trainer, improvisation teacher and a performing arts teacher; that is only a distinction on subject. He trained in film acting in 2005 - 2008. Nowadays, Keates is a theatre-maker, improviser and clown. He is so addicted to improv, impro, improvisation that he researches it too. The current project is on autism and improv comedy. Nathan began teaching improvisation in 2006 and quickly got teaching in another country, the States. In 2007, he found a love for applied improvisation for autistic people as it sprung to reality there and then. He was teaching autistic people, and people with other diagnoses too, in America. The progression has remained seeking the new and the wonderful in his practice and his teaching.
Be kind, be honest and be taking my class!

Click and book now!

Many thanks.
#findthefunnytogether
www.NathanImprov.com

PLEASE NOTE: this is an online class and will use breakout rooms; there will be technical issues to overcome, but we will manage all issues together and swiftly.

If you cannot afford the class, as long as I have Gold Standard bookings I can let you participate without cost. Please get in touch: info@nathanimprov.com.

Sunday 13 January 2019

Guest blog: Why Improv?


Having discovered improv comedy a year ago and having fallen under its spell, I find myself trying to explain what compels me to return again and again to what feels like its magic.

Having dived deep into another weekend course this one called “Efficiency in Scenework” with Nathan Keates. I find myself already missing its end, even though I’m only half way through.

So the word magic seems apt.  This is the best way I can explain what occurs in improv. But don’t get me wrong it’s not that all that happens is magic, it’s just that sometimes magic happens.

And what is this magic I hear you ask? Well I don’t know what it is, but except it brings a feeling of joy. A place where you are in a world of imagination, on the cusp of discovery and where you sometimes find gold.

Perhaps we should call it fools gold, because once you discover it, it has gone again and that can never be repeated in the same way, but it then it does return in another, later place, often in one you are least expecting. And at that moment its like you’ve been kissed with delight and often a response of laughter. One more note about improv is that the magic it can be found in watching others find their own gold and also it is often found in collaboration with others.

One area I have had a similar experience is working with clay, in which out of something formless something emerges and often almost without intention and impersonally. It's as if we are responding to the clay in some symbiotic dance between creator and potential where on some occasions there is some magical conclusion, and also sometimes not.

So there is something more generally to be said about being in touch with this creative edge and being in the moment and it being impersonal.

Improv is one place I can find this, but creativity in any form can be the edge we need. To be present, playful and enquiring allows us to drop the façade that we are in charge of this manifesting present, we are a part of the play but not in charge of the script, as it is continually unfolding before us. At this edge perhaps we feel most in touch with the creative spirit within us and creativity around us, and it feels right and we feel good and we want more.

So why improv?  
I think it’s about the creative magic, of how you lose yourself in the present, and sometimes out of it comes a real present. For which I say thank you please come again. And I do.

By Chris 

Sunday 7 October 2018

Culture of the city

There is improv comedy and theatre in many towns and cities across the United Kingdom. The few that shall be included in this discussion are ones that have a personal connection. We can question how much the culture of the city affects the art, the theatre and how we improvise. The ever-growing community in these local areas bring themselves, there background and their surroundings. There shall be four towns or cities that shall be investigated.



In Canterbury, Kent, improv comedy began many years ago. It has had a lot of comedy and improv, specifically, historically. Noise Next Door, who tour the UK stand-up comedy venues performing hilarious improv, started their careers in Canterbury. There has been improv in schools in Kent due to the work of such people as Lucy Fennell. Similarly, there has been some in the universities too. 

Students still have improv comedy. Nowadays, it is solely focused on doing improv. The growth in the group has developed splendidly. Not only do they perform, or have done, long-form (30 minute non-linear, thematic productions or improvised plays), but they have been a member of Theatresports (iTi; short-form competitive full-scale evening of a myriad of emotional theatre that is very funny). 

What is the impact on the theatre created from the culture of Canterbury? It would be thought that what people must want from their art is improvised Chaucer or other literary-based creation. However, with a student population in the improv community, there are younger politics involved, as well as their sensibilities. Nonetheless, that relatability and human nature is still at the core of the comedy in Canterbury. From the funny of love to the hysterics behind rivalry in the office, Kent seems to offer a wide variety of laughter.  

The local community can once more engage in improv comedy with the Canterbury Improv classes. There are weekly drop-in classes and weekend intensive courses. 



In Basingstoke, Hampshire, the arts world is quite small, and yet the improv comedy community is growing. There are two theatres that are now one organisation, and one company that have their own arts venue near the top of town. Nonetheless, this does not affect the desire for comedy in Basingstoke. 

Hampshire, in general, has had some fantastic improv. In Havant, near Portsmouth, there was a theatre company that ran improv productions and classes. Unfortunately, they have stopped now. The wonderful and aforementioned lady, now working in Southampton, has been teaching improv in a school that has performed recently. Also in Southampton, the students there run comedy events that include improv. So Hampshire seems fertile for more improv. 

Basingstoke is a commuter town, so it can be believed. There is a lot of business and computer-related occupations, and holistic therapy too. The impact of this on the comedy and theatre created seems to be fairly minimal. It could be the teaching that has been provided, but there is silliness, with physical comedy, and once more a human connectedness to what drives people to laugh. 

The local community in Hampshire can take advantage of the Basingstoke Improv weekend intensive classes that occur. Likewise, the improv comedy nights that happen may continue, so you can see performances and chuckle thoroughly.  



In Cardiff, Wales, the history of improv has a fair amount of lineage. Rob Brydon, for example, although he should be mentioned in the next city - due to it being group in Bath. There have been a number of groups in the past, anyway. Cardiff loves its comedy. There is a strong focus on stand-up comedy, with some sketch. 

There is not a lot of improv comedy in Wales, overall, but the reoccurrence of it says a lot. Wales lusts for more. It is a great principality for wonderful theatre. Amazing circus, clown and musical productions. Specifically in Cardiff, this description still works, as it has NoFit State circus and Hijinx Theatre - and many more. 

Cardiff loves its weekends and rugby. The impact on improv is more likely, however, to come from the theatre practices. The prospective faster-pace of stand-up seems to drive those that dabble to short-form games - not that long-form cannot be fast (it can be faster, more often). 

The wider community, and the local, can benefit from the Cardiff Impro weekend classes that are run in the capital city of Wales: Cardiff. The potential for monthly improv comedy nights with a variety of productions is available. Hopefully, Chapter Arts centre shall host these when all the puzzle pieces are aligned. 



Lastly, Bristol has a vast amount of improv comedy and theatre now. This is many thanks to the graduates of the university there. Specifically, it is thanks to one man: Andy Yeoh. He is a remarkable guy and has formed the foundations of the community there so that the growth can be exponential. Every few years, the boom happens and there are more possibilities. There has been improv there for many years, not just from the university, as there are theatre companies that do improvise and nearby, in Bath, there was the group with Rob Brydon and Ruth Jones. That was lead by Paul Z Jackson (from the Applied Improvisation Network, these days).

Bristol has a lot of arts. The glorious dancers, circus, clown, fools, magicians, musicians... The weekly events that no one can keep up with is why Bristol is an amazing city to live in. The impact on the improv there must be true. Nonetheless, the funny does come from the human qualities; whether they are presented through a more clown perspective or emotional theatricality, they are accessible. 

The local community have the weekend intensive classes to support their development and drive the improv comedy and theatre scene into a wider range of production styles. We seek to connect, we wish to play. 



Let’s find the funny together!



www.nathanimprov.com/p/local.html



#findthefunnytogether

Thursday 21 September 2017

University Improv Comedy Society Manual book on Amazon

Books! Books! Books!

From the first to the second, not yet the third... My first book published can be found on Amazon. My second is about to begin its process from mind to paper. As it must be clear enough, I have an interest in autism. The next book will be about the autism spectrum conditions. After completing a master's degree on autism, I am most certainly eager to write more! I am looking forward to beginning the writing for it. I have a publisher in mind for this one. I will keep focused on completing a high-quality book, then submit my next masterpiece.

The first book, University Improv Comedy Society Manual, had a long process of looking at my teaching discoveries and then adapting it to suit universities or colleges. As the blurb states, the curriculum works for the limited time that students have each year. It helps guide students through the needs of scenic improv comedy art forms and give them the necessary chance to continue the society further on. Once complete, the students will be highly talented in the general improv comedy world.
So much joy can happen in society groups. The experience can really help in life and academia, as Alex Newson writes about in the book. I thoroughly enjoy his solo show that popped into existence during my year with that society. There are a lot of funny times and crazy wonderful moments that can occur in improv, in hanging out together and touring around to gigs; I advocate it a lot, so get the book and begin your improv comedy society!

This one time, at improv comedy soc, I found a new way into a trance state using the students' focus.